|Moon,(1999) Map of Learning|
An interesting by-product of the international virtual collaboration project is that it is really making me focus much more closely on the subject of reflection in learning and professional development. Indeed that is the title of a really great book by Jenny Moon which has been the inspiration for my redesign of my study skills module .
The aim of the assessment in my module is to enhance students' reflective skills - and, along the way, their digital skills - by asking them to develop (part 1) digital artefacts which reflect their thoughts and feelings about their future careers and (part 2) tell the story of their learning journey through their first transitional year as "becoming" professionals.
I have been ruminating on the precise tools to be used in this first exercise - Gemma has used Photopeach over the past couple of years (you can view some lovely examples - in Catalan - on Gemma's blog), I rather favoured Padlet, Thinglink or Pinterest (thinking about platforms for curating links), whilst Victoria was inclined to give her students free rein to choose.
This weekend I have been involved in analysing the levels of reflection in the Photopeach artefacts produced by Gemma's students (relying on Google Translate where my rudimentary Catalan failed me!!) and as a result have become rather more enamoured of it. The combination of images and music in a gently flowing slideshow give the artefacts a romantic and filmic quality that conveys, and invokes, powerful emotions. For an exercise that requires students to make a statement about values, ethics and aspirations, this seems highly appropriate.
There are lots of opportunites in higher education courses for students to present verbally and in writing but few where we ask them to engage at an emotional level. For students entering into the "people professions", developing their emotional intelligence is crucial. The use of imagination, creativity and imagery involves making manifest some aspects of knowing that are not fully conscious but which are felt at a bodily level (Collier, 2010). Hence the combination of music and images, together with inspirational quotations, powerful value statements and expressions of desire, has a powerful emotional impact on the viewer.
Another aspect of importance for me is that I have asked students on many occasions to write a reflective account of their learning as a short essay and often been disappointed to read rather impersonal, imitative (if not actually plagiarised) accounts, focussed on what has been taught rather than a personal learning experience. The best of the Photopeach video essays I viewed this weekend were each uniquely individual and referred to theory only where it had been inspiring and transformational for the student.
On the other hand, these first artefacts were not deeply reflective, but that was not surprising.
According to Moon's Map of Learning there are five stages of learning:
Noticing – acquisition and organisation of data; filtered through previous learning/experience and motivated by the perceived purpose of the learning Making Sense – a process of growing awareness of the coherency of the material – organizing and ordering the material Making Meaning – the new material is assimilated and allows a deeper understanding of the discipline; material is well linked together and there is evidence of a holistic understanding of the subject Working With Meaning – linked to higher levels of reflection, summarising themes, critical analysis, marshalling an argument Transformative Learning – self motivated learning, learning that is reorganised and restructured by the learner in a creative way; evidence of change in the learner of which the learner themselves is cognizant. Learning about learning.
The last two stages need further reflection on the intitial stages/outcomes of learning in order to materialise - which provides the link between part 1 (the first, tentative exploration of values and aspirations) and part 2 of the assessment: the final digital story which pulls together the learning experience across the entire semester or academic year.
Finally, Moon suggests that students need a clear sense of the purpose of their reflections, require a degree of scaffolding (which the two part assessment provides) and a specific rubric to help them understand what is required of them. The work I have been doing in analysing the Catalan artefacts has really helped me to develop my module's structure and learning activities to ensure these factors are all included.
Collier, K. 2010, 'Re-imagining reflection: creating a theatrical space for the imagination in productive reflection' in H.Bradbury, N.Frost, S.Kilminster, M.Zukas (eds), Beyond Reflective Practice, Routledge, London and New York, pp. 145-154.
Moon, JE (1999) Reflection in Learning and Professional Practice, Routledge, Oxford